William Shakespeare 

Table of contents 

1. A short biography 
2. Historical background 
3. Works 
4. A play: Summary of the plot 
Characters: Their roles. A quotation 
1. A short biography 
From the best available sources it seems William Shakespeare was born in Stratford on about April 23rd 1564. His father William was a successful local businessman and his mother Mary was the daughter of a landowner. Relatively prosperous, it is likely the family paid for Williams’s education, although there is no evidence he attended university. In 1582 William, aged only 18 married an older woman named Anne Hathaway. Soon after they had their first daughter, Susanna. They had another two children but William’s only son Hamnet died aged only 11. After his marriage, information about the life of Shakespeare is sketchy but it seems he spent most of his time in London writing and performing in his plays. It seemed he didn’t mind being absent from his family - only returning home during Lent when all theatres were closed. It is generally thought that during the 1590s he wrote the majority of his sonnets. This was a time of prolific writing and his plays developed a good deal of interest and controversy. Due to some well timed investments he was able to secure a firm financial background, leaving time for writing and acting. The best of these investments was buying some real estate near Stratford in 1605, which soon doubled in value. Some academics known as the “Oxfords” claim that Shakespeare never actually wrote any plays they suggest names such as Edward de Vere. They contend Shakespeare was actually just a successful businessman. Nevertheless there is some evidence of Shakespeare in theatres as he received a variety of criticism from people such as Ben Johnson and Robert Greene. 
2. Historical background 
The Elizabethan Era signified the high point of Shakespeare’s career. Though no one knows exactly how much work Shakespeare published, he is believed to have written approximately 38 plays and 154 sonnets. William Shakespeare was born and raised in Stratford, England. His baptism was recorded on April 23, 1564. He had a total of seven brothers and sisters, and he was the oldest surviving son. Due to culture and ways of his time, scholars presume that Shakespeare stopped attending school at the age of 15. His education included intense emphasis on Latin grammar and classic literature. On November 27, 1582, Shakespeare married 26 year-old Anne Hathaway who was six months pregnant at the time. Together, they had three children: Susanna and twins Hamnet and Judith. After the birth of the children, there is a period of time considered the “lost years” because little is known about Shakespeare’s life. However, it is estimated that he started writing in 1585 and his plays were on stage by 1592. Shakespeare was fortunately born during a time of prominence for the English professional theater. Even until the early 1960’s, the theater was frowned upon; theaters consisted of open fields and actors who were often compared to beggars, and made very little income. Shakespeare was an important proponent of a movement to advance the status of the professional theater. Shakespeare and his crew, the King’s Men, built the famous Globe Theater and helped Advance Theater to unforeseen heights. By the year 1598, Shakespeare was well known around England for this comedies, tragedies, and problem plays. Though Shakespeare was a prominent artist during his day, the popularity of his works did not explode until the 19th century. 
3. Works: The playwrights and the poet 
3.1 The playwrights
  Most playwrights of the period typically collaborated with others at some point, and critics agree that Shakespeare did the same, mostly early and late in his career. Some attributions, such as Titus Andronicus and the early history plays, remain controversial, while The Two Noble Kinsmen and the lost Cardenio have well-attested contemporary documentation. Textual evidence also supports the view that several of the plays were revised by other writers after their original composition. The first recorded works of Shakespeare are Richard III and the three parts of Henry VI, written in the early 1590s during a vogue for historical drama. Shakespeare's plays are difficult to date, however. And studies of the texts suggest that Titus Andronicus, The Comedy of Errors, The Taming of the Shrew and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. His first histories, which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland, dramatize the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty. The early plays were influenced by the works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe, by the traditions of medieval drama, and by the plays of Seneca. The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it is related to a separate play of the same name and may have derived from a folk story. Like The Two Gentlemen of Verona, in which two friends appear to approve of rape, the Shrew's story of the taming of a woman's independent spirit by a man sometimes troubles modern critics and directors. Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic and comic lowlife scenes. Shakespeare's next comedy, the equally romantic Merchant of Venice, contains a portrayal of the vengeful Jewish moneylender Shylock, which reflects Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado about Nothing, the charming rural setting of As You like It, and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After the lyrical Richard II, written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, parts 1 and 2, and Henry V. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet, the famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar—based on Sir Thomas North's 1579 translation of Plutarch's Parallel Lives—which introduced a new kind of drama. According to Shakespearean scholar James Shapiro, in Julius Caesar "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on the act of writing, began to infuse each other". In the early 17th century, Shakespeare wrote the so-called "problem plays" Measure for Measure, Troilus and Cressida, and All's Well That Ends Well and a number of his best known tragedies. Many critics believe that Shakespeare's greatest tragedies represent the peak of his art. The titular hero of one of Shakespeare's most famous tragedies, Hamlet, has probably been discussed more than any other Shakespearean character, especially for his famous soliloquy which begins "To be or not to be; that is the question". Unlike the introverted Hamlet, whose fatal flaw is hesitation, the heroes of the tragedies that followed, Othello and King Lear, are undone by hasty errors of judgment. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello, the villain Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear, the old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter Cordelia. According to the critic Frank Kermode, "the play-offers neither its good characters nor its audience any relief from its cruelty". In Macbeth, the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne, until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot. In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline, The Winter's Tale and The Tempest, as well as the collaboration, Pericles, Prince of Tyre. Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of a more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen, probably with John Fletcher. 
3.2 The poet 
 In 1593 and 1594, when the theatres were closed because of plague, Shakespeare published two narrative poems on erotic themes, Venus and Adonis and The Rape of Lucrece. He dedicated them to Henry Wriothesley, Earl of Southampton. In Venus and Adonis, an innocent Adonis rejects the sexual advances of Venus; while in The Rape of Lucrece, the virtuous wife Lucrece is raped by the lustful Tarquin. Influenced by Ovid's Metamorphoses, the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint, in which a young woman laments her seduction by a persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint. Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle, printed in Robert Chester's 1601 Love's Martyr, mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove. In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim, published under Shakespeare's name but without his permission. Sonnets Title page from 1609 edition of Shake-Speares Sonnets. Published in 1609, the Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorized sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that the published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with the sonnets "Shakespeare unlocked his heart". The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe, whose initials appear at the foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorized the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time. 
4. A play: Summary of the plot Characters: Their roles. A quotation 
4.1 Summary of the plot 
The play, set in Verona, begins with a street brawl between Montague and Capulet servants who, like their masters, are sworn enemies. Prince Escalus of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Capulet about marrying his daughter Juliet, but Capulet ask Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliet's nurse try to persuade Juliet to accept Paris's courtship. Meanwhile, Benvolio talks with his cousin Romeo, Montague's son, about Romeo's recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulet's nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house in hopes of meeting Rosaline. However, Romeo instead meets and falls in love with Juliet. Juliet's cousin, Tybalt, is enraged at Romeo for sneaking into the ball, but is only stopped from killing Romeo by Juliet's father, who doesn't wish to shed blood in his house. After the ball, in what is now called the "balcony scene", Romeo sneaks into the Capulet orchard and overhears Juliet at her window vowing her love to him in spite of her family's hatred of the Montagues. Romeo makes himself known to her and they agree to be married. With the help of Friar Laurence, who hopes to reconcile the two families through their children's union, they are secretly married the next day. Tybalt, meanwhile, still incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt's insolence, as well as Romeo's "vile submission," and accepts the duel on Romeo's behalf. Mercutio is fatally wounded when Romeo attempts to break up the fight. Grief-stricken and wracked with guilt, Romeo confronts and slays Tybalt. Montague argues that Romeo has justly executed Tybalt for the murder of Mercutio. The Prince, now having lost a kinsman in the warring families' feud, exiles Romeo from Verona, under penalty of death if he ever returns. Romeo secretly spends the night in Juliet's chamber, where they consummate their marriage. Capulet, misinterpreting Juliet's grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris's "joyful bride." When she then pleads for the marriage to be delayed, her mother rejects her. Juliet visits Friar Laurence for help, and he offers her a drug that will put her into a deathlike coma for "two and forty hours." The Friar promises to send a messenger to inform Romeo of the plan, so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt. The messenger, however, does not reach Romeo and, instead, Romeo learns of Juliet's apparent death from his servant Balthasar. Heartbroken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal, Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, finding Romeo dead, stabs herself with his dagger. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two "star-cross'd lovers". The families are reconciled by their children's deaths and agree to end their violent feud. The play ends with the Prince's elegy for the lovers: "For never was a story of more woe / than this of Juliet and her Romeo." 
4.2 Characters: Their roles 
a) Prince Escalus is the ruling Prince of Verona 
b) Count Paris is a kinsman of Escalus who wishes to marry Juliet. 
c) Mercutio is another kinsman of Escalus, and a friend of Romeo. 
d) Capulet is the patriarch of the house of Capulet. 
e) Lady Capulet is the matriarch of the house of Capulet. 
f) Juliet is the 13-year-old daughter of Capulet, and the play's female Protagonist. 
g) Tybalt is a cousin of Juliet, and the nephew of Capulet's wife. 
h) The Nurse is Juliet's personal attendant and confidante. 
i) Rosaline is Lord Capulet's niece, and Romeo's love in the beginning of the story. 
 j) Peter, Sampson and Gregory are servants of the Capulet household. 
 k) Montague is the patriarch of the house of Montague.
 l) Lady Montague is the matriarch of the house of Montague. 
m) Romeo is the son of Montague, and the play's male protagonist.
 n) Benvolio is Romeo's cousin and best friend.
 o) Abram and Balthasar are servants of the Montague household. 
p) Friar Laurence is a Franciscan friar, and is Romeo's confidant. 
q) Friar John is sent to deliver Friar Laurence's letter to Romeo. 
 r) An Apothecary who reluctantly sells Romeo poison.
 s) A Chorus reads a prologue to each of the first two acts.